You have a second job.
It's called «existing online».
The first job you do for money: you deliver what you know, and you're good at it. Nobody pays for the second one: you film, you write, you post, you reply — week after week, so the first one keeps coming.
Boosted Mode is the system that does the second one. The part that is open from anywhere is the application: you write a subject, and out comes a piece ready to post — in your voice, with your approval, published on its own. The assisted work further down — a filming day, the foundation written with you — is delivered in Romanian, in person.
Start here: you operate it yourself.
It isn't a cheaper tier of the same thing. It's the same building, a different door: the same machine, without the hands — you bring those.
You sign in, fill in your profile, order pieces and publish them. The system is the same: the same engines, the same Brain, the same calendar.
What you don't get is the human part — the filming session at your place, the editing done by me, the foundation written together. That work is delivered in Romanian, on site in Romania, so outside the country this is the door that is actually open. It stays described below, and it can open whenever it makes sense.
You can start without a card: one subject, produced end to end, so you see what comes out when the system knows who you are.
One is paid. The other isn't, and it never ends.
Nobody ever told you "as of today you have one more job". It crept in: first one post a week, then three, then filming, then editing, then weekends too, so the streak doesn't break.
You deliver what you know
You have years behind you, people who recommend you and a rate that holds. Here you're paid for the result, not for the time — and it's the only job you chose.
You exist online
No team, no schedule, no end. You do it at night and on Sundays, in the time that was supposed to be yours. And if you stop for a month, it shows up next month in the first job.
You've tried already. Every option has a cost that never shows on the invoice.
None of them is stupid. Each one solves a piece. The problem is that the piece it solves isn't the one holding you back.
Five stages. Your hand is on exactly two.
It isn't a list of modules to configure. It's a loop that closes on its own — and you have two places in it, chosen because only you can fill them.
Two hours of your face, once a month. You talk about what you know. That's all.
Your handThe angles come out of your words, not out of a model's head. What you said becomes subjects.
Video, carousels, stills, writing. Every piece, end to end, in your visual identity.
You see everything before it goes out. You approve, ask for a different take, or reject. Nothing gets past you.
Your handScheduling, publishing on your own accounts, capture pages, forms, follow-up.
The raw material is you. Not a model that writes like you.
It's the first question of anyone who built their name on how they think: will it sound like me, or like nobody? The answer is in where the piece starts.
Where it starts
From the two hours on camera, from your stories, from what you learned the hard way and from what you've already said well. Not from a prompt asking it to "write like an industry expert".
What happens when you reject
The piece isn't published, and the reason goes back into your profile. The system doesn't start over blind — it knows what you rejected and why, and next time it won't propose the same thing.
53 pieces a month, out of the same two hours.
It isn't "unlimited content". It's a number, so you can check whether it happened or not.
The part no software does.
The machine produces in your voice only if that voice is defined somewhere. The Foundation is the work that comes before it — once, as a project, not as a subscription.
First the foundation. Then the machine.
It isn't a three-column menu you pick one from. It's an order: the machine produces out of what the foundation wrote. Started backwards, it produces a lot, to no end.
The Foundation
Positioning, identity, web, media production. The human work that defines what "in your voice" means.
On request once · 6–8 weeks- The positioning documents, written with you
- The mark and the visual system
- The site and the first capture page
- A filming day and three flagship pieces
The System
The machine, started on your foundation. All five stages, in full, month after month.
On request 53 pieces · two hours of your time- 25 video · 8 carousels · 12 stills · 8 written
- The monthly filming session
- Approvals, the calendar and publishing
- Capture pages and follow-up
- The app included — the €249 is no longer charged
The system is bought from a person, not from a company.
At some point I broke away from doing manual work for someone else. And I realised the only chance of being paid what I'm worth was for people to see who I am, what I believe and how I work — through what I publish online.
I didn't have the time, the patience or the energy to knock on doors, take cold meetings or do street marketing. One road was left: content, and the right people arriving on their own. More important than many people — the right people.
I knew in advance what that meant: I had tried once before and stopped when I saw how much work it was. The difference this time was that I built a system that extracts out of me what I have to say and carries it all the way — two hours a month for what used to take me four hours a day.
I still do the media production myself: filming, editing, end to end. It isn't a studio with a team. It's real production experience, brought to your home or your office.
What is still holding you back after all that.
Write a subject. Out comes a piece ready to post.
Sign up in two minutes and the first piece is produced without a card. If you want the assisted work instead, write on WhatsApp and we'll talk for twenty minutes: where you are, what you already have, and where it makes sense to start.
Start with the app — first piece free Or write to us on WhatsApp, if you want the assisted work.