BM—18 / MANUAL / EN
The Application
Day one, week one, and what you do after.
PROFILE · ORDER · APPROVAL · CALENDAR · NOTES
You don’t learn the application by reading, you learn it by ordering a piece. This page is the order worth doing it in the first time, what sits on each of the fifteen screens, and — the part most often forgotten — what the machine does on its own and what it never does without you.
01 — Day one
BM—18.1 / FOUR STEPS
Four steps, two of which are yours.
The order only matters for the first one: nothing that comes out afterwards is better than the profile it was written from. The rest can be done in whatever order you like.
01 · Your hand
You say who you are
At Brand profile: who you are, what you sell, to whom. It’s the only step that can’t be skipped — everything the machine produces is written from there. Twenty minutes of concrete answers beat two hours of long ones.
02 · Your hand
You order the first piece
At Order content: you pick the engine, write the subject in one line, press Order. The first one is free, no card. If you have no subject in mind, you take one from What to create, where the machine has already proposed some.
03 · The machine
It produces
You don’t sit on the screen waiting. A post is written and rendered in under a minute, a carousel in a few, an explainer video in tens of them. You find it under Orders when it’s ready.
04 · Your hand
You approve
You see the whole piece and the text, on the same screen you press on. What you reject goes nowhere, and the reason stays written — and it’s the only thing the machine learns what you don’t want from.
You don’t connect the Instagram and Facebook accounts yourself. The Boosted team does it, once, at the start — and the same team redoes it if it expires. If you see in the application that a connection has expired, there is no button to look for: it says right there that the team reconnects it. Until then, what you approved waits for you in Calendar, nothing is lost.
02 — Your week
BM—18.2 / THE LOOP
After day one, three habits remain.
These three are everything the machine asks of you so it doesn’t stall and doesn’t repeat itself. None of them is daily.
Twice a week
You approve what came out
You go into Orders, go through what’s ready, approve or reject with a one-line reason. The rest schedules itself.
Once a week
You write what happened
At What happened to you: a happy client, an objection heard three times, a number, a question you got. Three lines are enough. This is the only place your week’s reality enters what the machine produces.
Once a month
You read the report
At The monthly report, so you see the whole month next to the one before. Results gives you the number right now; the report gives you the direction.
If you skip the second habit, month three will look like month one. Not because the machine breaks, but because it received nothing new about you: it keeps writing from the day-one profile. The notes are raw material, not a diary.
03 — The tabs
BM—18.3 / FIFTEEN
Fifteen screens, in the order you see them.
The shelf on the left isn’t sorted alphabetically: it’s the path of a piece. First what it knows about you, then what it produces, then what came out. The names below are the real names on the screen.
Home
The starting screen
No group
Home
What’s in progress, what waits for your tick, what goes out today. It isn’t a category, it’s the first view — if you have time for nothing else, this screen tells you whether there’s anything to do.
What it knows about you
The raw material
Filled in once
Brand profile
Who you are, what you sell, to whom, in what tone, what you never say. Rarely adjusted. Everything that leaves the machine is written from here.
Weekly
What happened to you
Your notes from the week. The engines read them when they produce, so this is where the difference between month one and month three comes from.
You decide, you don’t approve
Strategy
The only screen where you pick a direction instead of ticking a piece: what the brand runs on these months, and what you leave aside.
To be read
The Council
It looks over the profile, the notes and the strategy — everything above it — and says what’s worth doing this week. It’s last in the group because it’s drawn from the other three.
Content
What gets produced
The reason
Campaigns
The pushes: why you produce, not what you produce. Pieces hang off a campaign, so they aren’t a pile of scattered posts.
The queue
What to create
The proposals drawn from what it knows about you. This is where you take a subject when you have none in mind — and also where you see whether the machine has run out of raw material.
Your hand
Order content
You pick the engine, write the subject in one line, press Order. You can order several at once, and you can change the language on every order.
Your hand
Orders
What’s in progress and what came out. This is where you approve or reject, with the piece and the text on the same screen. Finished orders can be hidden, so the list doesn’t grow forever.
What came out
The result
The scheduling
Calendar
The day and hour each approved piece goes live, on each account. It can be moved.
The number right now
Results
How each published piece did, piece by piece.
The month
The monthly report
The whole month, next to the one before. Results tell you the number; the report tells you whether it grew.
The archive
Delivered files
The archives ready to download, with the date they get deleted written on them. Whatever you want to keep, you download before that date.
Your account
Administrative
Payment
Subscription
The tier you’re on, what it includes, and how it changes. You stop it from here, monthly, with no minimum term.
Inbox
Who wrote to you
The people who left you a message through the site. It’s the newest tab — it was opened to clients on 31 August 2026.
04 — Beginner’s mistakes
BM—18.4 / THREE
Three ways to ruin month one.
All three look the same from the outside: “the machine puts out generic stuff”. The cause is different every time.
Mistake 1
You skip the profile to quickly see what comes out
The first piece will be generic, you’ll conclude the machine is weak — and you’ll be right, because it had nothing to work from. The profile isn’t a sign-up form, it’s the source.
Mistake 2
You never write in “What happened to you”
The machine keeps producing from the day-one profile. It doesn’t degrade, but it doesn’t grow either: in month three it writes about the same person as in month one.
Mistake 3
You approve on fast-forward
Your tick is the only filter between the machine and your accounts. And it works both ways: one rejection with a written reason says more than ten silent approvals.
05 — The boundary
BM—18.5 / TWO LISTS
What it does on its own, and what it never does without you.
The list on the right matters more than the one on the left. There is no automatic publishing without your tick — not even on the highest tier.
Without you
What happens on its own
It proposes subjects in What to create. It writes the text. It renders the graphics and the edit, in your identity. It schedules the approved piece in the calendar. It publishes at the day and hour in the calendar, with confirmation that it went live. It gathers the results and writes the monthly report.
Only with you
What doesn’t move without your tick
It publishes nothing unapproved. It doesn’t change the brand profile on its own. It doesn’t connect or reconnect accounts — the Boosted team does that. It doesn’t reply on your behalf to people who write to you. It deletes nothing you approved.
06 — Short questions
BM—18.6 / SIX
What gets asked in the first week.
If you want to see first what the machine doesn’t do, before you get in: the Application page. If you’re curious where it reads everything from — Brain.